| عنوان البحث | ملخص البحث |
| "Humanities in the Forefront"Trauma or Relief in the Age of the Coronavirus" | |
| "Cultural Reconciliation East and West” | |
| "ExploringCulturalReconciliationthroughLiterature,"presentedat" | |
| "The Connect Program: A Virtual Model to Enhance EFL Learning" | |
| "Critical Analysis of Short Story Collection Qasakees(Very Short Stories)" | |
| "Egypt's Fulbright American Studies Alumni Circle: A Replicable Model to Transnationalize theDiscipline" | |
| "TranscendingPhysicalSpace:TahrirSquareasaRevolutionaryLocusinModernandContemporary Egyptian Fiction" | |
| "Historicizing Fiction: De/Centring the Image of Egypt in Penelope Lively's Moon Tiger (1987)" | |
| "'That is No Country for Old Men': Shifting of Literary Borders by 'Merit'-Based Egyptian FictionWriters" | |
| "'The Centre Cannot Hold': From Minimalism to Nihilism in Contemporary 'Merit'-Based EgyptianFictionWriters" | |
| "CrossingBorders:NegotiatingBoundariesinContemporaryArab-AmericanLiterature–PowerPoint Presentation" | |
| "EngagingAmericanStudiesatMenoufiaUniversity:StridesandSetbacks–PowerPointPresentation" | |
| "A QuestinVain?SalvagingHope inGwendolynBrooks’ In The Mecca (1968)," | |
| "Collision or Coalition: Cultural In/Determinacy in Diana Abu-Jaber's Arabian Jazz (1993) and Crescent (2003)," | |
| "The American Connection: An Eclectic Influence on Modern and Contemporary Irish Poetry,"presented at the 4th International Conference on " | |
| "'Womanspeak': The Dis/Located Self in the Poetry of MedbhMacGuckian," | |
| "'ForgetMeNot':Re-MappingFemaleIdentityinEavanBoland's Outside History (1990)," | |
| "Border Crossing: Re-mapping Female Identity in Gwendolyn Brooks' In the Mecca (1968) andEavan Boland's Outside History (1990)," | |
| "Intertextual Allusions as Bakhtinian Dialogism in Elizabeth Bishop's Poetics," | |
| "A 'Dissociation of Sensibility': The Gaelic Dilemma in the Poetry of Hugh MacDiarmid and SorleyMaclean," | |
| "Death and Rebirth in the Poetry of Gwendolyn Brooks: An Afro-American Exploration," | |
| "Sea or Desert: An Exploration of a Dominant Image in Modern Egyptian Arabic Poetry," | |
| "Locating the Tradition of American Womanhood: A Social, Political and Literary Perspective," | |
| "'Life and the Memory of It': Recovery and Loss in Elizabeth Bishop's geography III, | |
| “OldNorseInfluenceinthePoetryofHughMacDiarmidandGeorgeMackayBrown,” | |
| “Image and Imagemaking in the Poetry of Eavan Boland,” | |
| “Translation:APossibleFifthSkillinLanguageAcquisition,” | |
| “IainCrichtonSmith:TheRebelandthe Conformist,” | |
| "OrganizingGamesinTeachingEnglishasa ForeignLanguage" | |
| “The Theme of Sexual Perversion in Ben Jonson’s Epicoene, or The Silent Woman,” | |
| Developing Language Skills through Literature: The Case of the Intermediate Language Learner,” | |
| “Ben Jonsons’s Revision of Everyman in His Humour,” | |
| "A Stylistic Analysis of the Paradox Technique in T.S. Eliot's Four Quartets: Emphasis on 'Burnt Norton,'" | |
